Judy at Carnegie Hall - Judy's "Victory Lap"
Judy at Carnegie Hall - Judy's Victory Lap
In the fifth episode of Judy at Carnegie Hall, your host Grace gets into what's often called Judy's "Victory Lap" of the performance at Carnegie Hall.
Judy takes us on a complete journey from playful nostalgia to sincere connection to pure celebration. To solemn promise to gentle benediction. Oh, each song serves the whole creating a sequence that feels both carefully planned and completely spontaneous at the same time. That's what makes it magic.
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Hey Judy Loving Friends! It's me, Grace! I just want to thank you for listening. I hope you’ll let me know what you think about the podcast and if any particular episodes resonate with you.
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My Contact Info
Grace Taylor Segal
Email: grace@gracetaylorsegal.com
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Timestamps
00:00 Introduction to Judy at Carnegie Hall
34:59 Suwanee: A Gershwin Classic
35:31 After You've Gone: A Breakup Lament
35:59 Chicago: Judy Lifts the Roof
36:55 The Transcendent Finale
37:52 Closing Remarks and Next Episode Preview
Transcript
Judy at Carnegie Hall_S1_Ep5
[:Judy's Victory Lap section, big shoulder showbiz, rye optimism, open-hearted devotion, five songs that showcase five different facets. Five different facets of a legend in full command of her powers. This is where Judy proves something that her [00:01:00] detractors never understood. She wasn't just a tragic figure singing through her pain.
She was also a. Entertainer who could light up a room with pure joy, a vaudeville veteran who understood that sometimes the greatest gift you can give an audience is uncomplicated, fun. But being Judy, even her joy comes with depth. Even her entertainment carries emotional weight. What makes this section so powerful is how it demonstrates her range, not just vocally.
n without losing an ounce of [:Now, this could have been a straightforward crowd pleaser, a safe choice designed to get people, you know, clapping along, but Judy being Judy. She turns it into something far more delicious, a kind of comic vora performance with a wink that lets everyone in on the joke. The crowd roars at her famous send up, and I never will forget Jeanette McDonald.
I had [:But here's what makes this. This moment brilliant. It shows Judy's relationship with her own MGM past. She's not bitter about those years or trying to distance herself from them more like instead she is reclaiming that history on her own terms, showing that she can honor the tradition while making it entirely her own.
The [:Next comes. I can't give you anything but love from the 1928 review, blackbirds, and this becomes something entirely different. A warm handout from the stage, an intimate gift wrapped in a simple melody written by j. Written by Jimmy McHugh and Dorothy Fields during the height of the jazz age. This song has been covered by everyone from Louis Armstrong to Billy Holiday.
Judy finds her own truth in [:Transcends commerce and becomes communion. This is a garland credo in its purest form. I can't give you anything but love, not promises of happiness, not guarantees of easy answers. Just love in the form of music, honestly delivered. In this context of everything she'd been through, everything the audience knew about her struggles.
comes not just a song, but a [:Then we get that's entertainment from the bandwagon and suddenly we're in entirely different territory. This is Judy embodying the very. Theme of show business. The show must alight, it must live spirits. It must transform ordinary moments into something magical and the show must go on. She tosses the lyric like confetti, each phrase a celebration of the theatrical life she's chosen and the joy it can bring.
The band [:She's not performing for them. She's celebrating with them, and yet, and this is crucial. She's also the rare artist who makes entertainment feel like, again, communion lesser performance might make the song feel hollow or even calculating. Judy makes it [00:08:00] feel like a shared celebration of everything that makes live performance magical.
This is showbiz at its most honest and generous, performed by someone who understands both. Its superficiality and its profound power to heal and unite. Incredible. Come, Rainer, come, shine follows, and now we're back in deeper emotional territory. This Harold Arlen and Johnny Mercer. Vow song takes on a special meeting at this point in the evening after everything, the intimate confessions, the playful entertainment, the vulnerable moments, this plays like a promise to the audience through every storm, through every high and low.
ere. She stretches the title [:It's not just about showing up when you feel good or when everything's going well. It's about being there come rain or come shine in sickness and in health through triumph and disaster. Peaks and valleys right. The arrangement builds gradually allowing Judy to demonstrate her vocal power while never losing sight of the song's emotional core [00:10:00] by the time she reaches the final.
I'll be loving you always. It doesn't sound like a romantic promise. It sounds like a sacred vow. Finally, we reach your nearer. Rogers and Hearts Satin Whisper that closes this section with Hush and grace. After all the energy, the emotion that we've experienced with her, this feels like a benediction, a gentle descent.
es the most powerful moments [:This song serves as a perfect bridge between the celebratory energy we've just experienced, and whatever emotional journey lies ahead, it's. Judy Garland at her most graceful, showing that she can be just as compelling when she whispers as when she belts. The genius of this entire section lies in its emotional architecture.
s both carefully planned and [:Into something larger than the sum of just their parts. If you're enjoying this deep dive, please subscribe and leave a review. Helps the keep this series visible for. New and longtime Judy Garland fans. My contact details are in the show notes and I'd love to hear from you. Tell me which of these five songs you put on repeat and why.
sonate most deeply with you. [: